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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。本次大赛由中央电视台主办，中国曲协协办，北京市公证处公证，是新世纪第二次全国性的相声赛事。大赛经过了征集、初评、复赛等阶段。经过复赛评委会的认真评审，最后，一批质量较高的节目和颇有实力的选手闯入决赛，并继续激烈角逐，最终将决出一等奖1名、二等奖3名、三等奖5名、最佳逗哏奖1名、最佳捧哏奖1名、最佳作品奖1个，优秀作品奖若干。。