艾利丝

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。张小石第一次看到乡村摄影师在村头给人照相，那个方方的照相机深深地吸引了他。暑假里，远在城里的表哥带着照相机回来看家，使得张小石能近距离接触到照相机，有机会自己摄影，没想到的是，他拍的照片表哥给他投到杂志社，竟然发表了，还获得了优秀奖，这让张小石很是激动，使他有了得到一台真正的照相机的想法。为了这个目标，他不断的努力。但家里的状况实现不了他的愿望，依靠自己的力量根本无法得到相机。张小石无意中看到一则省长给别人捐赠的新闻，他带着激动而单纯的想法给省长写了一封信，然而一场意想不到的事情发生了……。“Everything’s Going to be Great” is a funny and sad valentine to big dreamers whose dreams won’t necessarily come true. It’s about individuality vs conformity. It’s about fantasy vs reality. But mostly it’s about family, as it follows a year in the life of a family struggling with defining success, ghosts, identity, and regional theatre. Lester Smart has always felt his life wa...。