刘德华与梅艳芳

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。《爱情帮你办》是继《编辑部的故事》、《我爱我家》之后又一部情景喜剧之作。主要舞台是一个平常人感情生活有着密切联系的恋爱婚姻服务中心，这个舞台有四个主要"演员"：一个是从事了一辈子街道妇女工作的老太太扬金英；一个是总发表不了作品的女作家叶斯婕；一个是心理学硕士夏妤；唯一的男性叫王菘，他是推销电脑软件的，却身不由已地和三个女人唱起了一台戏。。在一次伏击行动中，重案组勇探高辉（陈锦鸿饰）击伤了一名神秘杀手。杀手引为耻辱，遂要辉猜出自己是谁，并提示她会在这一个月内经常在高辉身边出现。高辉在苦思之下，怀疑杀手是另一名伤者王文玲（李丽蕊饰），可是种种迹象却显示王文玲是受害者而非杀手。最后，一个月之期终届，连王文玲也遭杀害，原来杀手另有其人，这令绝望的高辉陷入了重重杀机……。