哭泣女人的诅咒电影

都内で、遺体に「X」の痕跡を遺す殺人事件が発生する。事件を担当するはずだった刑事・安堂源次（安田顕）は捜査から外された。かつて自身の妻が被害者となった連続殺人と同じ犯人の可能性が高いからだ。そこで捜査本部には内密に、天才科学者と云われる神保仁（田中圭）に捜査の協力を要請する。事件の解決に全く興味を示さない神保。何よりその奇想天外な行動と言動に源次は振り回される。しかし徐々に息の合い始める二人。そして二人の孤独なDNA捜査は、捜査本部も気づかなかった「ある痕跡」を見出す。そんな中、「殺人鬼X」による更なる殺人が起きてしまう…。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。《布莱切利四人组》的衍生剧，该剧有四个故事，每个故事两集。故事时间设定在1956年，原剧中的两个核心角色Millie和Jean来到美国，与两个美国密码破译专家共同调查新发生的谋杀案。BenCotton扮演命案侦探BillBryce。。